The two installations, titled The Blind leading the Blind #66 and The Blind leading the Blind #67, are the latest in Bubbenhout’s series of the same name, which began in 2008. The title's reference to Pieter Brugel’s genre painting inserts another ambiguous commentary that is either didactic or apathetic. The whole of Bubbenhout’s work seems to anchor along this question of ambiguity. The works are not quite identifiable; they seem to reject any origin.
As the viewer spends time with the work, identifies its parts and attempts to build a logic it seems that the work might be a sort of Smithsonian Non-Site but any affirmation is rejected to the viewer. The only information a viewer can ascertain is that they are viewing some construction of debris, of the unwanted, that it’s coming from somewhere and that it has been forming for a while