Josh
Klein’s show Quality of Life is a Margaret Atwood urban dystopian ode
celebrating a chemically “sustained forever 21”. Although the show is not a sci-fi warning of what is to come
if we continue prioritizing youthfulness, but a contemporary commercial space
with video, logos, and serums easily believable for today’s consumerism. The
gallery, Canal 47, is a generic tenement on the lower east side, unmarked
except for the buzzer. Once inside, the white walls support a laboratory
of artificial objects and videos.
Klein uses 3D printers to make heads whose skin is a print of designer
fabrics. There is an energy IV containing
a combination of red bull, yerba mate, emergen-C, sugar, spirulina, provigil,
and gasoline. This piece is the only one with an element of grime to it. The
rest of the pieces have an antiseptic cleanliness. There is a witty set of four defriending knives presented in
a clear lit up box. There are two
looped videos of interviews with an ageless Kurt Cobain at forever 27, and
Whitney Houston at forever 48.
Both personas are interviewed as if they never died. Kurt Cobain is a digitally modified aviator
who answers mundane questions about a reclusive life, fame, working at the food
coop, not playing music…. What is remarkable
about the videos is wherever you fall on the spectrum of an appreciation for
video art/digitally rendered imagery to a luddite disapproving of the digital
arts, the underlying commentary of the interviews is clear, and make you want
to smile and scoff, whether you are impressed with the technology or the irony. The videos place the highest premium on
looking youthful, remaining immortal at your prime. Klein highlights a collective denial of aging, and a
willingness to believe this is possible and preferable. Klein uses the latest technology to illustrate
our preoccupation with youth. Although
the objects and overall installation have a generic clean line packaging, his
commentary on a preoccupation of ‘forever 21’ transcends the
sense of an available commercial retail.
Wednesday, October 16, 2013
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