The first word that comes to mind when describing Robert
Lansden’s show In Every Direction at
Robert Henry Contemporary is “obsessive.” This show is made up of twelve
drawings on paper built from algorithms, a strange technical approach for an
artist, that dictate the aesthetic direction for each series. In the case of In Every Direction, we are looking at
twelve beautiful graph-like drawings that from a far look completely computer
generated, but up close become nuanced and subtle as the handiwork becomes more
apparent.
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In Every Direction detail
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What
makes this show especially personal is Lansden’s choice in medium. He chose to
use marker, gauche, and watercolor for this series, which makes the subjects
much more intimate. For example,
in the piece In Every Direction, at
first glance it looks as though we are looking at a large computer rendering of
an unfolded scarf or piece of burlap, there are strange ripples on each side
and creases coming from the center with meticulous symmetry. However, when we
look closer we see Lansden’s handwriting emerging with each obsessive stroke as
each fiber crosshatches the next to make up this blue piece of fabric. There
is a beautiful undulating movement to each piece, it is as if there are pieces
of futuristic fabric form the land of The
Matrix hanging on the wall and there is a light autumn breeze in the air.
You did a great job choosing this show and your first paragraph starts out very well. I think this is a very clear written and interesting article. I really liked this show as well. I agree with that the choice of medium makes his works special, and it highlights his precise technique.
ReplyDeleteI like your description of his show. In particular, the second paragraph makes me look into his details. I was surprised that his computer generated images were meticulous hand painting during the show. This stunning reversal from my prejudice in medium gives me a good impression.
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